A friend & fellow blogger (mirror shades) introduced this band to me and I love the sweet man for doing so. From their bandcamp page:
I (Pete) started writing these songs after hearing Maps and Atlases' "Every Place Is a House" for the first time. I was so blown away and enamored of the guitar technique that I had to figure out how it was done. That was some time in 2008. The first demo recordings were done at my mom's house in New Jersey back in 2009.
I met Nick (bassist) through an online forum of musicians many years ago. He asked if he could take a shot at the basslines in the demos, which, at that time, were done synthetically through VST (the bass parts were too hard for me to play myself). I said sure, what the heck, let's try it out. He sent me the first track, "And Was It Worth It in the End?", and I was really (REALLY) impressed, especially because he was like 18 at the time.
Since then I've been writing the bass lines with him in mind; I tab everything out in a tablature program (including bass and drums), send him the files, he adds his bassist touch, and records it and sends it back.
We've never actually met in real life. He lives in Pennsylvania, I live in Oregon.
Fun Facts:
No picks were used in the making of this album.
All guitars are in open tuning (example, low to high, open E: E B E Ab B E). Bass is in standard tuning
Ursine Valor is the only song in which both guitar tracks do not use the same capo placement (left guitar capo 5 in open E; right guitar none, detuned to open D). The bass on Ursine Valor is detuned to D-standard.
Every song has some sort of allusion or Easter egg referencing another song, be it from popular music or from friends of mine.
We are nice and approachable and will teach you how to play the songs if you want; i.e. -> TABS (www.tabit.net/tabs/list.php?f=5655); everything is tabbed using a wonderful program called Tabit, which is needed to open the files in the link above. Get Tabit, know our secret
UnCutFaceRape
Saturday, April 7, 2012
NoMeansNo - Wrong
It's been years since I could genuinely enjoy a punk rock band. NoMeansNo has a lot of classic punk rock qualities, yet still manage to come off sounding original. Some songs have an early Fugazi influence to them, both vocally and musically. I'm not sure how else to describe this but dont let the "punk rock" label turn you off from checking this band out. Key tracks to check out on this album are "Stocktaking", "Rags & Bones", "Life in Hell"
T.R.A.M. - Lingua Franca
I couldnt make this shit up if I wanted to. I'm not familiar with Suicidal Tendencies, but if you love Animals as Leaders and/or the Mars Volta as much as I do then you are in for a treat. Some of the songs have recognizable aspects of their main projects but for the most part this album has a very jazzy feel and Eleventh Hour/Pink Floyd/King Crimson/Maudlin of the Well type vibe.
Maps & Atlases - Beware & Be Grateful
I'm not sure what to think of this album yet. I love Maps & Atlases but this album is much different than what I was expecting. Previous albums by them consisted of crazy ass tapping riffs, insane drumming and percussion rhythms, with a hint of xylophone every now and then. This album, however, is a bit simpler and has a much "bigger" recording sound to it. Which is cool, dont get me wrong, but dont listen to this album expecting to hear anything like their previous work. Still worth giving a listen, so do what you came here to do...
Monday, March 26, 2012
Acoustic Ladyland - Skinny Grin
This album is the most insane Jazz album I'ver heard. Scratch that. Its the most insane album by any band I've heard. I felt like I got slapped in the face at :50 on the albums first song "Road to Bones" As insane as the A.L.s songs are, they're actually very well orchestrated and groove hard.
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